[Spoiler Alert]
#10
ANNA
I haven't read it out loud yet, so you'll be the first person. You
sure you wanna hear?
JACOB
Mmhmm.
ANNA
I thought I understood it, that I could grasp it. But I didn't, not
really. Only the smudgeness of it; the pink-slippered, all-containered, semi-precious
eagerness of it. I didn't realize it would sometimes be more than whole, that
the wholeness was a rather luxurious idea. Because it's the halves that halve
you in half. I didn't know, don't know, about the in-between bits; the gory
bits of you, and the gory bits of me.
JACOB
I like the halves that halve you in half.
[Anna laughs]
#9
EXT. CONDO/BEACH - DAY
ON THE
HORIZON IN FRONT OF HER, THE WATER HAS RECEDED INTO THE GULF SOME 100 YARDS.
THE DARK SANDY BOTTOM LOOKS ODD STRETCHED OUT SO FAR. A STORM CELL SITS MASSED
ON THE HORIZON. CHURNING BLACK CLOUDS FILLED WITH LAYERS OF HORIZONTAL
LIGHTNING.
Behind Samantha,
Curtis appears in the open sliding door clutching Hannah. The Storm Cell is
reflected in the glass next to him.
CURTIS
Sam.
Samantha
looks down at her palm. She rubs the thick, viscous rain in her fingers. She
looks back up at the storm.
SAMANTHA
Okay
#8
INT. OLIVER'S BEDROOM/INT. HAL'S BEDROOM - LATE NIGHT
HAL
I'm not
sorry I woke you!
I went to
Akbar tonight.
OLIVER
You did?
INT. AKBAR - NIGHT
Hal and his
friends, BRIAN and ROBERT, make their way through a crowded gay club. Hal is by
far the oldest, and most excited, man there.
#7
The Girl With The Dragon Tattoo by Steven Zaillian (based on The Girl With The Dragon Tattoo by Stieg Larsson)
89. INT. BJURMAN'S OFFICE - NIGHT
He takes
her hand and places it on the crotch of his trousers.
BJURMAN
You feel
that? That's gaberdine. Unzip them.
(she does)
And ...
(she tugs
at his underwear)
And ...
(she
doesn't move; he smiles)
I like the
reticence. I prefer a whore who pretends she isn't. It's almost convincing.
He grabs
her hair and roughly pulls her head toward him.
#6
22.INT. KINOGRAPH STUDIOS - GEORGE'S DRESSING ROOM - DAY
He closes
the door but doesn't go over to her, instead going over to the mirror. He looks
at her, she at him... He motions to her to approach. She does. He stares at her
face for a while before he speaks.
Title card: If
you want to be an actress, you need
to have something no one else has.
Ηe takes a make-up pencil
and draws a beauty spot above her upper lip.
#5
Hugo takes
Isabelle to the back of the giant train station clock where they watch the
beauty of Paris at night
HUGO
Right after
my father died, I would come up here a lot. I'd imagine the whole world was one
big machine. Machines never come with any extra parts, you know. They always
come with the exact amount they need. So I figured if the entire world was one
big machine, I couldn't be an extra part. I had to be here for some reason. And
that means you have to be here for some reason too.
Hugo takes
Isabelle hand as they look at Paris from the back of the clock
#4
The Descendants by Alexander Payne, Nat Faxon, Jim Rash (based on The Descendants by Kaui Hart Hemmings)
50. INT. LIVING ROOM - DAY.
MATT
Who is he?
ALEXANDRA
I don't know. Some guy.
MATT
What did he look like?
ALEXANDRA
Dark hair.
Matt stands up, walks in a little circle -- he
literally does noτ know which way to turn.
Then he knows.
MATT
Watch Scottie.
#3
INT.CORRIDOR AND BATHROOM. DAY.
RAZIEH
I won't
leave till I get my money
Nader
lunges towards her and grabs her by the shoulder to get her out.
RAZIEH
(screaming)
Don't touch me!
Nader
pushes her out and slams the door shut and locks it. Angry he walks towards the
corridor. Termeh is standing in the corridor terrified and in disbelief.
#2
SEQ.129 - FLASHBACK. EL CIGARRAL. VERA'S ROOM. INT. DAY.
Vicente
looks at him with fear more than anything. He shies away from him.
ROBERT
As you have
seen, the operation was a success, but the tissues that form your vagina are
still very tender. (From his expression, Vicente imagines a horrible
possibility). Don't worry. It's easy to prevent that. You have to keep that new
orifice open and manage to make it deeper. Think that your life depends on that
orifice, that you breathe through it.
#1
GLEN
Do you
ever think about finding your parents?
RUSSELL
No, not
really.
GLEN
Why not?
RUSSELL
I don't
really see the point. You know, I don't think it would change anything.
GLEN
Why don't
I pretend to be your dad and you can come out to me?
RUSSELL
[laughs]
That is SO weird.
GLEN
Just
ignore the fact we just had sex.
RUSSELL
I don't
think I can. Guess I'll try. Ok.
[looks Glen in the eye]
RUSSELL
Dad? I
got something I need to tell you.
GLEN
[pretending
to be Russell's dad] What's that?
RUSSELL
I'm gay.
GLEN
[pretends
to think] Hmm.
RUSSELL
I like
guys, not girls.
GLEN
[breathes
out slowly] Well. You know what, son. It doesn't matter to me. I love you
just the same. And guess what?
RUSSELL
What?
GLEN
I
couldn't be more proud of you than if you were the first man on the moon
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου